![]() ![]() ![]() This is all despite the fact that the same shot of Mosjoukine was used for each of the films. The audiences raved about how hungrily he looked at the soup, how grievous he appeared at the sight of the dead woman and how paternal he appeared as we watched the child playing. The films were shown to audiences and apparently the overall consensus was that Mosjoukine was an incredible actor. ![]() Kuleshov used this shot to edit together three films each film featured Mosjoukine’s face being alternated with a different image: a bowl of soup a woman lying in a coffin and lastly, a child playing. He performed an experiment by which he filmed a shot of Russian silent film actor Ivan Mosjoukine as he displayed an expressionless face. The Kuleshov effect is a film editing effect that was demonstrated by Russian film maker Lev Kuleshov in the 1910s and 1920s. Intellectual – this montage uses the juxtaposition of two shots, which when combined, create an intellectual meaning. Overtonal/Assosciational – this montage uses the combined effect of metric, rhythmic, and tonal montage on the audience when the intent is to convey more information in a less obvious, abstract manner. Tonal – this montage utilises the emotional meaning of the shot to achieve a particular emotional response from the audience. Rhythmic – includes metric cutting based on time and frames but adds cutting according to visual composition and introduces change in speed to reveal more complex meanings than with Metric cuts alone. Metric – The editing follows a specific number of frames, cutting to the next shot regardless of what is happening within the current image. What are they?Įisenstein’s five methods of montage are as follows: In his essay ‘Word and Image’ Eisenstein describes five methods of montage. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |